Calembredaines & Coquecigrues

forgottenboneyard:

Finally back to work and starting small with this flower idea I had a while back. Squirrel skull and mink bones.

forgottenboneyard:

Finally back to work and starting small with this flower idea I had a while back. Squirrel skull and mink bones.

thevictorianlady:

A postcard sent on June 18, 1928 by F. Scott Fitzgerald to African-American author Claude Mckay, which highly praises the latter’s work (calling McKay’s book “one of the two most worthy American novels of the spring”). What’s unusual about this postcard is not the text, but the image on the front. 

The postcard is from the National League Against Alcoholism, and shows the liver of an alcoholic alongside a healthy liver. Even is you disregard the fact that Fitzgerald himself was an alcoholic, this still remains a terribly strange postcard to send to anyone.    

“Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belong to a man-a woman who was ‘one-in-herself.’ The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chasity, but sexual independence. And all great culture heroes of the past…, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus-they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramatic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chasity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched. When Joan of Arc, with her witch coven associations, was called La Pucelle-‘the Maiden,’ ‘the Virgin’ - the word retained some of its original pagan sense of a strong and independent woman. The Moon Goddess was worshipped in orgiastic rites, being the divinity of matriarchal women free to take as many lovers as they choose. Women could ‘surrender’ themselves to the Goddess by making love to a stranger in her temple.”

—   Monica Sjoo and Barbara Mor in the book “The Great Cosmic Mother -Rediscovering the Religion of the Earth”

(Source: sacredwoman, via thymoss)

traveling-at-the-speed-of-light:

Sarah Bernhardt, at age 21 bought her coffin, in which she would often sleep in lieu of a bed – claiming that doing so helped her understand her many tragic roles.

traveling-at-the-speed-of-light:

Sarah Bernhardt, at age 21 bought her coffin, in which she would often sleep in lieu of a bed – claiming that doing so helped her understand her many tragic roles.

(via thevictorianlady)

Little Shop of Horrors Skeleton by Tim Prince.
(Tim’s Tumblr Blog)

(Source: gaksdesigns, via thymoss)


Adam Diston
Cutting a sunbeam, England, 1886

likeafieldmouse:

Luca Nino Antonucci - Second Star to the Right (2010)

Artist’s statement: 

“The study of astronomy is a practice that engages in a delicate balancing act between hope and truth. Our vision of the universe is a systematic categorization of existence. As inhabitants of our planet, we are all involuntary participants in the organization of the known universe and the exploration of the unknown. 

One could say that an entire pattern of thinking comes from studying the delicate position of the human being in the universe. Somewhere between fear and romanticism, all rational thought is held and subjected.
And the truth, whatever it may be, is conditioned by our relative position
and our ‘rational’ thought, which is constantly and consistently subject to
romanticism.

These cards are intended as valentines to the universe, pointing out a personalized romantic relationship we all have with the cosmos. All of text is taken from scientific reports.”

(via borgevino)

Choi XooangThe Wings

(Source: ryandonato, via glassphemy)


Undine - Arthur Rackham

Seventeen-year-old Bianca Passarge of Hamburg dresses up as a cat and dances on wine bottles in June 1958. Her performance was based on a dream. She practiced for eight hours a day to do this. (x)

“Philosophy and literature are embattled adversaries. The eyes of philosophers see through the opaqueness of the world, eliminate the flesh of it, reduce the variety of existing things to a spider’s web of relationships between general ideas, and fix the rules according to which a finite number of pawns moving on a chessboard exhaust a number of combinations that may even be infinite. Along come the writers and replace the abstract chessmen with kings and queens, knights and castles, all with a name, a particular shape, and a series of attributes royal, equine, or ecclesiastical; instead of a chessboard they roll out great dusty battlefields or stormy seas. So at this point the rules of the game are turned topsy-turvy, revealing an order of things quite different from that of the philosophers. Or, rather, the people who discover these new rules of the game are once again the philosophers, who dash back to demonstrate that this operation wrought by the writers can be reduced to the terms of one of their own operations, and that the particular castles and bishops were nothing but general ideas in disguise.
And so the wrangle goes on, with each side confident of having taken a step ahead in the conquest of truth, or at least of a truth, and at the same time perfectly well aware that the raw material of its own constructions is the same as that of the opposition: words. But words, like crystals, have facets and axes of rotation with different properties, and light is refracted differently according to how these word crystals are placed, and how the polarizing surfaces are cut and superimposed. The clash between philosophy and literature does not need to be resolved. On the contrary, only if we think of it as permanent but ever new does it guarantee that the sclerosis of words will not close over us like a sheet of ice.”

—   Italo Calvino, “Philosophy and Literature” (via poins)

(Source: borgevino, via borgevino)

joakimheltne:

Part of my Human Sculptures-seriesModel: Philippe SchneiderAssistants: Luca Sørheim, Eivind A. Hansen 

joakimheltne:

Part of my Human Sculptures-series
Model: Philippe Schneider
Assistants: Luca Sørheim, Eivind A. Hansen 

(via glassphemy)


“A Centaur in Disguise” by Michelle Tolo
happyundertaker:

My piece Les Vampires based on the Louis Feuillade 1916 serial for The Movie Show at Galerie Daniel Maghen. 

happyundertaker:

My piece Les Vampires based on the Louis Feuillade 1916 serial for The Movie Show at Galerie Daniel Maghen

(via yukidoll)